Alle psallite cum luya

The manuscript the edition cites

• Montpellier, Bibliothèque interuniversitaire de Montpellier, H 196

  Folios

  392r–392v (stated by the edition's metadata.yaml ('Montpellier Codex', 'No. 322, fol(s)/pages 392-392v'), which links the library's image of the leaf; the library files that image as 196390rZ.jpg (f. 390r), and the image shows both '392.' and '390' in the upper margin of the leaf)

  On this site

  Montpellier, Bibliothèque interuniversitaire de Montpellier, H 196

  IIIF manifest

  ged.scdi-montpellier.fr

  Library’s statement

  Fourni par les Bibliothèques des Universités de Montpellier - Service de coopération documentaire interuniversitaire

  Rights

  Domaine public

  At the library

  Images at the library

  DIAMM

  source record · composition record

Checks

Schema

Valid MEI 5.1 with each of: lxml (libxml2) RelaxNG (mei-CMN); lxml (libxml2) RelaxNG (mei-all); Jing 20241231 (mei-CMN); Jing 20241231 (mei-all); SchXslt 1.10.1 on Saxon-HE 12.5 (mei-CMN); SchXslt 1.10.1 on Saxon-HE 12.5 (mei-all)

Against the edition

Every note (207) and syllable (109) matches the edition’s own MIDI file in pitch, onset and duration.

Engraving

Verovio 6.3.0-425dd7b, 1 page

How the encoding was made

• All notes, rests and syllables come from the source edition's LilyPond file at the pinned commit, converted mechanically. Nothing was transcribed from the manuscript for this encoding.
• Pitch, onset and duration of every note and the placement of every syllable were checked automatically against the edition's own MIDI file at written pitch (checks/midi-compare.json).
• Accidentals: written accidentals are encoded where LilyPond's default accidental rule prints them in the edition; sounding alterations are given in @accid.ges on every other altered note.
• Each voice carries its own text as verse 1 of its staff, as in the edition. Lyrics, punctuation and spelling are copied from the edition.
• The edition's transposed version (d to a, upper voices in treble clef) is not encoded; the encoding follows the edition at written pitch with its clefs (G_8, G_8, bass).
• Layout instructions of the edition (page size, staff size, system spacing) and its ambitus signs at the start of each staff are not encoded.

Where the encoding differs from the edition

• Ambitus signs printed at the start of each staff in the edition (produced by its layout file) are not encoded.
• System and page breaks follow Verovio's layout, not the edition's.
• Voice names (cantus, altus, tenor) exist only as LilyPond context names; they are recorded here but not encoded as staff labels, as the edition does not print them.
• The edition's transposed score (second \book of score.ly, with its own PDF and MIDI files) is not converted.
• The edition's key signature is given in LilyPond as d dorian (no accidentals); the MEI records only the resulting signature (keysig 0).
• The edition's MIDI tempo (quarter note = 140) is not encoded.
• Verovio may draw lyric hyphens and extender lines in other places than LilyPond, which drops hyphens where space is short.

Licences in full

This MEI file is a mechanical conversion of Monique Rio's edition (St Cecilia Press, https://stcpress.org), which is licensed CC BY 4.0 according to the publisher's statement and the edition's own score footer. Because the licence badge on the publisher's page links to CC BY-SA 4.0, the conversion is released under CC BY-SA 4.0 (https://creativecommons.org/licenses/by-sa/4.0/), which satisfies either reading. Attribution: edition by Monique Rio, St Cecilia Press; MEI conversion by Motetus (AEM Ventures SRL). Changes: converted from LilyPond to MEI 5.1; see the encodingDesc and revisionDesc.