Motetus Medieval polyphony in its manuscripts
Edition

Tempus transit gelidum

Anonymous · 2 voices · goliard song · Latin; fifth stanza Middle High German

Edition, licences and downloads

Edited by

Monique Rio

St Cecilia Press, 13-Aug-2016

Licences

Edition: CC BY 4.0

MEI file: CC BY-SA 4.0

When reusing, credit: edition by Monique Rio, St Cecilia Press (CC BY 4.0); MEI conversion by Motetus (CC BY-SA 4.0).

Download

  • MEI 5.1 121 KB
  • MIDI 8 KB, played by Verovio from the MEI

Converted from the LilyPond source at commit dcbcfbe

Manuscript

D-Mbs Munich, Bayerische Staatsbibliothek, Clm 4660, ff. 61v–62r

Loading the page images from Bayerische Staatsbibliothek…

München, Bayerische Staatsbibliothek Bayerische Staatsbibliothek · Public Domain Mark

Score

2 pages, engraved by Verovio 6.3.0 from the MEI file. Line and page breaks are Verovio’s, not the edition’s.

page 1 of 2 of the engraved scorepage 2 of 2 of the engraved score

The manuscript the edition cites

  • Munich, Bayerische Staatsbibliothek, Clm 4660 (Carmina Burana)

    Folios
    61v–62r (stated by the edition's metadata.yaml, which leaves the position empty ('Carmina Burana') but links two images of the library's digital copy bsb00085130 (image_126 and image_127); the library's IIIF manifest labels these scans '61v (0126)' and '62r (0127)')
    IIIF manifest
    api.digitale-sammlungen.de
    Library’s statement
    München, Bayerische Staatsbibliothek Bayerische Staatsbibliothek
    Rights
    Public Domain Mark
    At the library
    Images at the library

Checks

Schema
Valid MEI 5.1 with each of: lxml (libxml2) RelaxNG (mei-CMN); lxml (libxml2) RelaxNG (mei-all); Jing 20241231 (mei-CMN); Jing 20241231 (mei-all); SchXslt 1.10.1 on Saxon-HE 12.5 (mei-CMN); SchXslt 1.10.1 on Saxon-HE 12.5 (mei-all)
Against the edition
Every note (386) and syllable (402) matches the edition’s own MIDI file in pitch, onset and duration.
Engraving
Verovio 6.3.0-425dd7b, 2 pages

How the encoding was made

  • All notes, rests and syllables come from the source edition's LilyPond file at the pinned commit, converted mechanically. Nothing was transcribed from the manuscript for this encoding.
  • Pitch, onset and duration of every note and the placement of every syllable were checked automatically against the edition's own MIDI file (checks/midi-compare.json).
  • Accidentals: written accidentals are encoded where LilyPond's default accidental rule prints them in the edition; sounding alterations are given in @accid.ges on every other altered note.
  • The upper voice carries the text: five stanzas on three lyric lines, as in the edition (stanzas 1-3 under the first statement of the music, stanzas 4-5 under the second); stanza numbers are encoded as verse labels. The lower voice is untexted, as in the edition. Lyrics, punctuation and spelling are copied from the edition.
  • The edition sets LilyPond's ignoreMelismata in stanzas 3 and 5. As in LilyPond, a setting written before a syllable takes effect from the next syllable, so it governs the syllables 'nat' and 'us' (stanza 3) and 'vil' and 'suo' (stanza 5): each goes to the next note even inside a melisma. The MIDI check confirms the placement.
  • The edition repeats each statement of the music with volta repeat signs; the encoding gives the same repeat bar lines. The edition's MIDI file plays each statement once, and the MEI is compared with it without the repeats.
  • Beams are encoded where the edition beams explicitly (the edition switches automatic beaming off). Layout instructions of the edition (page size, staff size, system spacing, page breaks) and its ambitus signs at the start of each staff are not encoded.

Where the encoding differs from the edition

  • Ambitus signs printed at the start of each staff in the edition (produced by its layout file) are not encoded.
  • System and page breaks follow Verovio's layout, not the edition's.
  • Voice names (cantus, altus) exist only as LilyPond context names; they are recorded here but not encoded as staff labels, as the edition does not print them.
  • An invisible bar line inside a measure of the upper voice (\bar ""), which only lets LilyPond break the line there, is not encoded.
  • The edition's melisma marks (\melisma ... \melismaEnd) only steer the lyric placement; they are not encoded as such.
  • The edition's MIDI tempo (quarter note = 140) is not encoded.
  • Verovio may draw lyric hyphens and extender lines in other places than LilyPond, which drops hyphens where space is short.

Licences in full

This MEI file is a mechanical conversion of Monique Rio's edition (St Cecilia Press, https://stcpress.org), which is licensed CC BY 4.0 according to the publisher's statement and the edition's own score footer. Because the licence badge on the publisher's page links to CC BY-SA 4.0, the conversion is released under CC BY-SA 4.0 (https://creativecommons.org/licenses/by-sa/4.0/), which satisfies either reading. Attribution: edition by Monique Rio, St Cecilia Press; MEI conversion by Motetus (AEM Ventures SRL). Changes: converted from LilyPond to MEI 5.1; see the encodingDesc and revisionDesc.

Why the edition is taken to be CC BY 4.0
  • https://stcpress.org/about: "Monique's transcriptions are done in Lilypond, and may be used with attribution. (CC By 4.0)"
  • Footer of the edition's PDF score: "© Monique Rio (CC BY 4.0)"
  • Footer markup of the edition's score.ly: "© Monique Rio (CC BY 4.0)"

On the about page the badge next to this sentence links to the CC BY-SA 4.0 deed (the two badges on the page appear swapped). The GitHub repository has no LICENSE file.